General Knowledge, Learning

How to Spot a Fake Pot?

There are 5 parts to this story:

  • Foreword
  • How to Spot a Fake Pot?
  • Who is Huang Qian Liang and why we must have a Petition to Remove Huang Qian Liang from the Palace Museum of Taiwan?
  • Ren Fu Collection’s Black-List of Fake Purple-Sand clay teapots.
  • Ren Fu Collection’s Buy, Sell and Exchange Service.

Fraudsters or people selling Fake Pots often deceive and tell lies, it’s their second nature unlike Tony Ren who is from a different breed of humans who find it very easy to tell the truth but very hard to tell lies. Fake Pots are almost all shiny, in perfect condition unless buried or made to look genuine Old by faking old age like fake calcification, intentional little chip-offs on the edges and so on.These fraudsters or people who sell Fake Pots, always say, when asked why their Pots are shiny and in perfect condition, that their Pots are passed down from Late Ming or Early Qing even though Pre-Daoguang Pots especially Early Qing and Late Ming Pots are very worn out and deteriorated( eroded, corroded and chipped off). Do not believe the fraudsters because passed down Pots are very, very rare and the only Pots that survived are in the most secluded, protected of places like in state museums or Palace collection and even the Zisha teapot used by Emperor Qian Long is deteriorated, eroded and corroded and tiny chip offs on the edges and chop-mark).

In the book, written by Huang Qian Liang, Peng Qing Fu and Huang I Jia,  titled, “The Study of Yixing  Zhuni Teapots during the Ming and Qing Dynasties” one of the many, many “Conversion Books” in the market in which organized fraudsters mixed their Fake Pots with other people’s genuine Old Pots in order to transform their Fake Pots into “genuine Old Pots”. All these Conversion Books confused people or learners by telling them one minute that Old Pots are worn out, deteriorated, eroded, corroded Pots with chip offs and then contradict that by teaching people or learners Old Pots are shiny and in perfect condition with no signs of old age like wear and tear, deterioration, corrosion, erosion and chip offs. How can you teach people that black and white is the same or cat and dog is the same or night and day is the same or eroded, corroded, worn out chop-marks of genuine Old Pots are the same as new, fresh, perfect condition chop-marks of new Fake Pots are the same? Yes, you are right: they get confused! And do you know why the organized fraudsters want you to be confused? Yes, that’s the only way they can sell you the Fake Pots because if you are not confused like what Ren Fu Collection is going to teach you, the organized fraudsters’ big Rice Bowl is going to disappear and they, the big organized fraudsters and the small-time fraudsters, who together numbers in the thousands, are going to be very frightened.

What is more, how can anyone trust dishonest, corrupted and notorious organized fraudsters like Peng Qing Fu and Huang Qian Liang who sell Fake Pots to teach you how to see Old Pots and Fake Pots? It will be suicide! Yes, it would be like letting a pack of hyenas to look after and protect your flock of sheep.

There are many, many teachers who are fraudsters if you prefer to call them, in Malaysia, Vietnam, Thailand and Singapore besides China and Taiwan and Hong Kong. My 3 years of fact-finding on-line and on-the-road, in the beginning shocked me when I found out to what extent Fake Pots, Fake facts, Fake stories and organized and small-time fraudsters have spread around the whole eco-system of Zisha Hu.

A lot of problems in Old Zisha Hu are caused by one irresponsible act on the part of Potters which is not to put their signature or name on the new Copy they made of unearthed Pots. So when the unsigned or unnamed Copy of an unearthed Pot fell into the hands of organized or small-time fraudsters, what is going to happen? Are they, the fraudsters, going to sell the new Copy for RMB 6,000 or sell the Pot as an Old Pot for RMB 60,000 or even more.(High grade Fake Copy of Old Famous or Old Master Potters can fetched high prices and sell for millions of Renminbis). And the blame is not only reserved for today’s irresponsible Potters but earlier in Mingguo period where irresponsible acts from even famous contemporary Potters like Gu Zing Zhou and others who made Copies of Old Master Potters’ Zisha Hus without putting their names on the Pots they made and causing a lot, a lot of problems today with unsubstantiated or unproven “Old Master Pots” appearing and causing confusion and conflict in the study and research of the Old Master’s Pots like Chen Ming Yuan to name one. To make matter worse, now we hear Fujian forgers can make almost perfect copy of unearthed Pots that will fool anyone anywhere!….and we heard the forgers are worried and follow our postings hoping to get more information on our method of spotting fake Pots.

Well, not perfect and not everyone the Fujian forgers can fooled!

Yes, Ladies and Gentlemen, all except Ren Fu Collection they, the Fujian fakers cannot fooled because we are experts in unearthed Pots and more than unearthed Pots because Ren Fu Collection has the exact date and  archaeological records of each of the thousands of its unearthed or excavated Pots. And we know for a fact and for a truth that nobody on this Earth can copy the natural deterioration of stones or clays. Only God or Heaven can do this but not Man.

HOW TO SPOT A FAKE PURPLE-SAND CLAY TEAPOT?

According to Ciram Laboratory based in France, an art laboratory with extensive background in archaeomaterial physics and chemistry, whose work is focused on investigating and analyzing Works of Art and objects of significant cultural heritage each type of stone will have its own particular natural occurring phenomena of deterioration, even if preserve from bad weather. This occurs in relation to its exposure to moisture, heat and the development of vegetable and animal organisms. Various mineral phases are likely to be differently weathered, especially the most fragile phases, when they are subjected to more or less aggressive environment over a long period of time.

And according to Wikipedia on the Deterioration in stonewares.

It is in the nature of all the materials used for construction to eventually degrade and deteriorate. Degradation of an object occurs as a result of the interaction between the environment and the materials that form the object.

There are several ways in which stonewares break down physically and chemically.

PHYSICAL DEGRADATION can come from mishandling, packing, manufacturing defects, impact  and abrasions, frost, heat, mold growth, etc…

CHEMICAL DEGRADATION of objects occurs not in the physical structure of the object but rather in at the chemical or compound level. Compounds begin to breakdown into more simpler compounds and is often an undesired reaction. The degradation of the chemical component of an object will hinder or weaken the stability of the object when exposed to environmental factors such as water, air, sunlight, pollution, heat, humidity and the like.

We believe the above explanation might give you a headache and you prefer Tony Ren’s easy and light-hearted approach.

Yes, Ladies and Gentlemen, the Fujian forgers or any super-forgers anywhere cannot copy the natural signs of old age or antiquity found in the forms of a eroded, corroded, worn out, chip-off, deteriorated Old Pot.

Porcelain wares took a few artisans to complete the manufacture. Zisha Hu took just one artisan to complete the manufacture. As a result seal chops has been traditionally used to authenticate Zisha Teapots be it in the Late Ming, Early Qing, Republic or most recent period. Now we need advanced and universally tested methods to authenticate and date Pots because fakers can forge chop-marks, inscriptions and almost everything about the Old Pot with the help of the computer, internet, 3-D printing, AI and other sophisticated tools.

Most Pots are very easy to see if they are Old or Fake but some top grade Fakes or Pots seasoned to look shiny and dark or buried and/or immersed in urine to create calciferous growths to create a look of “unearthed” to fool you . A magnifier is a very powerful tool to spot a Fake Pot but situations sometimes do not allow you to use magnifier which are usually fraudsters’ trick to prevent you from using it. The safest way to learn to see Pots is to not depend on other people teaching you as most people who teach you how to see Pots are also selling Fake Pots. Our advice is to depend on yourself and study and examine the thousands of new and contemporary Pots up to Late Qing Guangxu in mainland China auctions in the last ten(10) years or more and compare to all the sea-salvaged, archaeologically excavated Pots in mainland China and especially a must Ren Fu Collection’s huge treasure trove of excavated and exact-dated Pots with archaeological materials and records.And just like Tony Ren who started off not knowing a lot about how to see Pots but now is an expert in Pre-Daoguang Zisha Hus and Santoh Zhuni Hus, you can be an expert too if you apply a bit of training or practice. Remember this saying of Ren Fu Collection, “ Do not listen and believe the words from the mouths of teachers but see and believe the truths found in graves because dead man tells no lies”.

The organized fraudsters and small-time fraudsters are watching us(we are told) and following this story of how to honestly and truthfully spot a Fake Pot because this story threatens their Rice Bowls. Fakers especially the Fujian forgers are watching and listening intently to our story to look for any clues or giveaway that will help them. According to the late legendary treasure hunter and marine archaeologist Sten Sjostrand , he said sometimes fraudsters selling Fake Pots will try to “pick your brain” meaning they will show you a Fake Pot and pretend to ask your opinion to see if the Fake Pot can pass or evade your expert’s eyes or if you like, to see if the Fake Pot can fool the expert’s eyes so that if it cannot they can go back and make improvement to the forgery. Do not answer or give these fraudsters your expert opinion. Finally the legendary Sten Sjostrand advise Ren Fu Collection to always keep 10% of what we know secret while teaching people how to see Pots and the 10% must be the weakest point of the forgers.

And please do not listen or learn from half-cooked or ignorant teachers even if they are honest, like they claimed to be Old Pots experts with some saying to see the clays, some saying to see the spout, the lid, the inside of Pot, the top and bottom of handle, some saying look at the chop-marks to see if it’s the same as the

Old chop-marks, some saying perfect and not perfect hole leading to the spout, spout should have beautiful curves, knob should be in harmony with the rest Pot and round shape Pots are found between 1730 and 1760, Pear-shaped Pots found between 1750 and 1755 or straight-sided Pots found between 1790 and 1800 which are nonsense and rubbish. Even if some are true, the modern day fakers especially the Fujian fakers are very advance so much so they can almost copy or forge everything about Old Pot. Yes, Ladies and Gentlemen, almost everything except only the erosion, corrosion, wear and tear, little chip offs, calciferous growths and so forth they cannot copy or forge.

The honest and truthful and foolproof way to see whether a Pot is new Fake or genuine Old, because Old Zisha Hu cannot be scientifically dated, is by using a two-steps method: the first step is to determine whether a Pot is Fake or genuine Old. And only after the Pot is determined Old can you use the second step which is to determine what Niande is the Old Pot. We called these two steps the Scientific-Eye method and the Artistic-Eye method.

The Scientific-Eye method is first used to confirm the Pot is Old.( If the Pot is Fake it is no point going to the second method of Artistic-Eye method). If the Pot is old, then apply the second method which is the Artistic-Eye method which looks at the various factors like size, shape, style and form to determine the Niande ( or period if you prefer to call it). For Scientific-Eye method examine the erosion, corrosion, wear and tear on the body like the tip of the spout, knob, lid, handle and especially the bottom of  Pot where you find the chop-marks and/or inscriptions( or on the body of the Pot). The erosion, corrosion, wear and tear, little cracks and chip offs are signs of aging on Pots we called deterioration in scientific terms and are proofs of antiquity. These are what the fakers cannot copy or forge and in fact it is universal not only in Old Zisha Hus but in other artefacts like Xia/Shang/Zhou Bronzes, Old ceramics/porcelains, old paintings, old furniture, etc… that deterioration in these Art forms cannot be duplicated or forged. The fraudsters can only use disguises or deception like immersed in acid, urine and burying the Pot to create erosion, corrosion, wear and tear  or create little chip offs or even seasoning the Fake Pot to make it look dark and shiny which hides the fresh or newness look of the Pot especially the chop-marks and/or inscriptions because seasoned Old Pots and seasoned new Fake Pots especially the high grade ones, to most people, look the same but they are actually not. With a bit of effort like using the magnifier, you can see the fake chop-marks and/or inscriptions are still new and fresh looking. However much they seasoned the Pot the erosion, corrosion and worn out features of the Pot will stand out like a sore thumb. Learn by training or practicing your eyes on the dark and light clays, seasoned and unseasoned clays because it does not matter whether you are White, Yellow, Brown or Black person the foolproof signs of age like wrinkles are the same and so are Old Zisha  Hus. This 200 to 300 years old signs of age cannot be forged or copied and it does not matter if the Zisha Hu is a Shi DaBin Pot or a Hui Meng Chen Pot or a Chen Ming Yuan Pot, the hundreds of years old deterioration in Pre-Daoguang Pots are the same. And now with Ren Fu Collection’s excavated exact-dated Pre-Daoguang Pots with archaeological records, you can become an expert in no time simply by examining and studying Ren Fu Collection’s Pots and comparing with the thousands of contemporary Pots(up until Late Qing Guangxu) …do not trust and do not learn from Pots in people’s hands but trust the Pots that came from the tombs and graves because they tell the truth just like Tony Ren did and if Tony Ren can be an expert, you can too!(sorry, but we have to keep 10% of the knowledge as a secret weapon to defeat the organized fraudsters and fakers).

Remember what we said: if you train your eyes and practice examining all the thousands of Post-Guangxu Zisha Hus( all the Pots made from now to 1875) in auctions in mainland China these past 15 years and compare to the sea-salvaged Zisha Hus, the 29 archaeologically excavated Zisha Hus in mainland China and the huge treasure trove of excavated Pre-Daoguang Zisha Hus with exact-dating(Niandes) and archaeological records, it will take a while, some a few months, some one or two years and some a bit longer to achieve the “breakthrough” skill to spot Fake Zisha Hus.

欺诈者或卖假紫砂壶的第二天性是喜欢说谎话的,不像任汤尼喜欢说真话容易。如果让任汤尼说谎话,他很难做到,他好像来自不同的人类!

假老紫砂壶几乎都是闪亮的完好无损,除非被埋葬或通过假造老紫砂壶(如假钙化、故意在边缘留下小碎片等)使其看起来真的很老。这些骗子或卖假紫砂壶的人在被问到为什么他们的紫砂壶闪闪发亮且完好无损时,总是说清道光之前的陶器,特别是清初和明末的陶器非常破旧和变质(腐蚀、腐蚀和剥落),但他们的陶器是从明末清初流传下来的。

不要相信骗子因为流传下来的茶壶非常、非常罕见,唯一幸存下来的茶壶是在国家博物馆或皇宫藏品等最隐蔽、最受保护的地方,甚至乾隆皇帝使用的紫砂茶壶也变质、腐蚀,边缘有微小的碎片和刻痕等。

这本书由黄健亮、彭清福和黄仪嘉三人合著,书名为《明清宜兴朱泥茶壶研究》,是在这个市场上众多“转换书”中的其中一本,有组织的欺诈者将他们的假紫砂壶与其他人的真旧紫砂壶混合,以便将他们的假紫砂壶变成“真旧紫砂壶”。

所有这些“转换书”都让人们或学习者感到困惑,因为他们在一分钟内告诉人们,旧紫砂壶已经磨损、变质、腐蚀、被剥落的壶已经被腐蚀,而通过教导人们或学习者,旧紫砂壶是闪亮的,完好无损,没有磨损、变质、腐蚀等衰老迹象,侵蚀和碎屑。

你怎么能教人们黑与白是一样的,猫与狗是一样的,黑夜与白天是一样的,或者真的旧紫砂壶的侵蚀、腐蚀、磨损的印痕与新的、新鲜的、完美无缺的新的假紫砂壶的印痕是一样的?是的,你是对的:他们会感到困惑!你知道为什么有组织的欺诈者和小欺诈者想让你感到困惑吗?

是的,这是他们向你出售假紫砂壶的唯一途径,因为如果没有像任富收藏所教你的那样困惑,有组织的欺诈者的大饭碗将会消失。他们是有组织的大欺诈者和小欺诈者,他们的成千上万的数量将会是非常害怕。

更重要的是,谁能相信像彭清福和黄健亮这样不诚实、腐败和 声名狼藉的有组织假紫砂壶骗子,他们卖假紫砂壶教你如何看旧紫砂壶和假紫砂壶?这将是自杀!是的,这就像让一群鬣(lie)狗来照顾和保护你的羊群。

在马来西亚、越南、泰国和新加坡,除了中国、台湾和香港,有很多教师是骗子。我在网上和三年的事实调查一开始后让我感到震惊,因为我发现假紫砂壶、假事实、假故事以及有组织的假紫砂壶骗子在整个紫砂壶生态系统中传播的程度。

旧紫砂壶的许多问题都是由于陶工不负责任的行为造成的,即不在他们用出土陶器制作的新复制品上签名或姓名。那么,当一个出土紫砂壶的未签名或未命名复制品落入有组织或小欺诈者手中时会发生什么事?骗子们,他们是打算以6000人民币的价格出售新的仿制品,还是以6万人民币甚至更多的价格将旧的仿制品作为旧的仿制品出售(著名或老的陶艺大师的高级仿制品可以卖到很高的价格,卖到数百万人民币)。

这不仅是对今天不负责任的陶艺家的指责,也是对民国时期早期的不负责任行为的指责。在民国时期,即使是当代著名的陶艺家顾景舟和其他不负责任行为的人,他们复制了老陶艺大师的紫砂壶,却没有在他们制作的壶上写上自己的名字造成了很大的损失。今天,出现了许多未经证实或未经证实的“老爷壶”问题,造成了像陈鸣远这样的老爷壶研究的混乱和冲突。

现在更糟糕的是我们听说福建的仿造者可以制作出几乎完美的出土陶器复制品,这将愚弄任何地方的任何人!我们听说这些仿造者很担心并追踪我们的帖子,希望能获得更多关于我们发现假紫砂壶的方法的信息。

嗯,不是十全十美的,福建伪造者也不是都可以欺瞒每一个人!

是的,先生们,女士们,所有的福建假紫砂壶仿造者都无法愚弄任富收藏,因为我们是出土陶器的专家,而不仅是出土陶器,因为任富收藏有数千件出土或出土陶器的确切日期和考古记录。我们知道一个事实,那 是地球上没有人能复制石头或粘土的自然退化。只有上帝或天堂能做到这一点,而不是人类!

如何辨别一把假紫砂壶?

法国CIRAM实验室是一家艺术实验室拥有丰富的考古物理 和 化学背景, 其工作是调查和分析艺术作品的重要文化遗和对象。根据该实验室的说法每种类型的石头都会有其特有的自然退化现象,即使在恶劣的天气下保存中。

这和暴露于潮湿、高温以及有机植物体有关。当不同矿物长期处于或多或少的侵蚀性环境中时,它们的风化程度可能不同,尤其是最脆弱的矿物。

根据维基百科里有关于石器的恶化。

所有用于建筑的材料最终都会退化和变质,因为 环境和构成材料之间的相互作用。

石器有几种物理和化学分解方式。

物理退化可能来自错误处理、包装、制造缺陷、冲击和磨损、霜冬、热量、霉菌生长等…

物体的化学降解不是发生在物体的物理结构中,而是发生在化学或化合物水平上。化合物开始分解成更简单的化合物,这通常是一种不希望发生的反应。当暴露于诸如水、空气、阳光、污染、热、湿度等环境因素时,物体的化学成分的降解将阻碍或削弱物体的稳定性。

我们相信上述解释可能会让你头疼,你将会更喜欢任汤尼轻松与容易的方式。

是的,女士们,先生们,福建的紫砂壶仿造者或任何地方的超级仿造者都不能复制在腐蚀、磨损、剥落、变质的旧壶中发现的自然的老年或古代迹象。

瓷器的制作需要几个工匠来完成。紫砂壶只用了一个工匠就完成了制作。因此,无论是明末清初、民国时期还是最近时期,紫砂茶壶的传统认证方法都是用印章。现在,我们需要先进的、经过普遍测试的方法来鉴定和确定紫砂茶壶的年代,因为仿造者可以借助计算机、互联网、3D打印、人工智能和其他复杂工具伪造印章、铭文和几乎所有关于旧老紫砂茶壶的东西。

大多数紫砂壶都很容易看出它们是旧的还是假的,但一些高档或经过仿造的紫砂壶看起来又亮又暗,或者被埋葬和浸泡在尿液中,以产生含钙的生长物,从而制造出一种“出土”的样子来愚弄你。

放大镜是一个非常强大的工具来辨别一个假紫砂壶,但有时情况不允许你使用放大镜,这通常是骗子的技巧以防止你使用它。

学习看壶最安全的方法是不要依赖别人教你,因为大多数教你如何看壶的人也在卖假壶。

我们的建议是依靠您自己,研究和检查过去十年(10)或更长时间内中国大陆拍卖的数千个新的和当代的陶器,并与所有海捞壶进行比较,中国大陆的考古发掘的陶器,尤其是任富收藏的一大宝藏,里面有考古材料和记录,出土的陶器和准确的年代。正如任汤尼一开始对如何看陶器不太了解,但现在是道光紫砂壶和汕头朱泥 壶之前的专家,如果你进行一些培训或实践,你也可以成为专家。

请记住任富收藏中的一句话:“不要听信老师口中的话,要看到并相信坟墓里发现的真理,因为死人不会说谎。”

有组织的欺诈者和小欺诈者正在监视我们(我们被告知),并跟踪这个如何诚实、真实地发现假老壶的故事,因为这个故事威胁到他们的饭碗。仿造者尤其是福建的仿造者,正再认真地观看和聆听我们的故事,以寻找任何有助于他们的线索或赠品。

根据已故传奇寻宝者和海洋考古学家Sten Sjostrand的说法,他说,有时卖假壶的骗子会试图“挑出你的脑袋”,这意味着他们会给你看一个假壶,假装询问你的意见,看看假壶能否通过或避开专家的眼睛,或者你是否愿意,看看假壶是否能蒙蔽专家的眼睛,如果不能,他们可以回去改进仿造品。

不要回答或提供这些欺诈者你的专家意见。最后,传奇人物Sten Sjostrand建议任富收藏在教人们如何看壶的同时,要始终保守我们所知道的百分之十的秘密,而这百分之十肯定是仿造者最薄弱的环节。

请不要听一半懂或无知的老师学习,即使他们是诚实的,就像他们自称是老陶器专家一样,有些人说要看粘土,有些人说要看壶嘴,壶盖,壶内,壶柄的顶部和底部,有些人说要看印章,看它是否与旧的印章标记,一些人说通向壶嘴的孔是完美的和不完美的壶嘴应该有漂亮的曲线,旋钮应该与其余的壶相协调,1730到1760年间发现了圆形壶,1750到1755年间发现了梨形壶,1790到1800年间发现了直边壶,这些都是胡说八道。即使有一些是真的,现代的仿造者,尤其是福建的仿造者,也非常先进,他们几乎可以复制或伪造关于旧紫砂壶的一切。是的,先生们,女士们,几乎所有的东西,除了侵蚀、腐蚀、磨损、小碎片、含钙生长物等等,他们无法复制或伪造。

因为不能科学地确定紫砂壶年代,所以判断一个壶是新的、假的还是真的、旧的,诚实、真实、万无一失的方法是采用两步法:第一步是确定一个壶是假的还是真的旧的。只有在确定壶是旧的之后,你才能使用第二步,即确定是什么年代旧壶。我们把这两个步骤称为科学鉴定方法和艺术鉴定方法 。

首先科学鉴定方法:用于确认壶是旧的(如果壶是假的,则没有必要使用艺术角度的第二种确认方法)。如果壶是旧的,那么就采用第二种方法,即艺术鉴定方法,它考虑各种因素,如大小、形状、风格和形式,以确定年代(或者你更愿意称之为时期)。

对于科学观察法,检查壶身的侵蚀、腐蚀、磨损,如壶嘴、旋钮、壶盖、壶柄的顶端,尤其是壶底(或壶身上)的印章和/或铭文。

侵蚀、腐蚀、磨损、小裂缝和碎屑是紫砂壶老化的迹象,我们用科学术语称之为变质的老化,是古代的证据。

这些都是仿造者无法复制或伪造的,事实上,不仅在旧紫砂壶,而且在夏/商/周青铜器、旧陶瓷/瓷器、旧图画、旧家具等其他艺术品中,这些艺术形式的退化是无法复制或伪造的。

欺诈者只能使用伪装或欺骗手段,如果将假壶浸泡在酸中、尿液中、埋在土中,以造成腐蚀、腐蚀、,磨损或制造小碎片,甚至对假壶进行调味,使其看起来黑暗而有光泽,这隐藏了壶的新鲜的外观,尤其是印章,因为对大多数人来说,经过调味的旧壶和经过调味的新假壶,尤其是高档的,看起来是一样的,但实际上并非如此。

通过像使用放大镜这样的努力,你可以看到伪造的印章或铭文仍然是新鲜的。无论他们对壶做了多少调味,壶的侵蚀、腐蚀和磨损特征都会像拇指酸痛一样突出。

通过学习识别深色和浅色、 经过风干和未经风干的粘土上的训练,不管你是白人、黄色、棕色还是黑人,皱纹等简单的年龄标志都是一样的,紫砂壶也是一样的。

这二百到三百年的岁月痕迹是无法伪造的,不管紫砂壶是时大彬壶、惠孟臣壶还是陈鸣远壶,道光以前几百年的老化都是一样的。

现在,有了任富收藏发掘出的准确年代早于道光的陶器和考古记录,你可以通过检查和研究任富收藏的陶器,并与数千件当代陶器(直到清末光绪)进行比较,很快成为专家…不要相信,也不要从人们手中的壶中学习,但要相信那些来自坟墓的壶,因为它们讲的是真话,就像任汤尼一样,如果他可以成为专家,你也可以!(很抱歉,但我们必须保留百分之十的知识作为秘密武器,以击败有组织的欺诈者和骗子)。

记住我们说过的话:如果你训练你的眼睛观察,练习检查过去15年在中国大陆拍卖的数千个光绪后紫砂壶(从现在到1875年的所有陶器),并与海上打捞的紫砂壶进行比较,中国大陆考古发掘的29个紫砂壶,以及道光前出土的具有确切年代和考古记录的巨大宝藏紫砂壶,需要一段时间一些要几个月、或一两年甚至更长的时间才能实现指出假老紫砂壶的“突破性”技能.

 

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